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 Jimmy Gillman

Published - Wednesday, November 14, 2007

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Ira Levin passes on, but his work remains

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Author Ira Levin died recently at the age of 78. Although many people are unfamiliar with the New York-based novelist and playwright, they are probably familiar with most of his celebrated works, several of which were turned into popular and critically acclaimed feature films.

Among the Levin novels and Broadway plays that became successful cinematic efforts are 1958’s “No Time for Sergeants,” which launched the career of Andy Griffith, 1968’s “Rosemary’s Baby,” one of that year’s biggest box-office hits, 1975’s “The Stepford Wives,” another box-office winner and the subject of a recent re-make, 1978’s “The Boys From Brazil,” based on the exploits of famed Nazi hunter Simon Wiesenthal, and 1982’s “Deathtrap,” also recently re-made.

Each of the films above (except "No Time for Sergeants") is readily available on DVD through Netflix, Blockbuster or at local video stores, and all are well worth watching or revisiting.

For more information on Levin and his celebrated career, follow the link below.

http://www.washingtonpost.com/wp-dyn/content/article/2007/11/13/AR2007111301483.html?hpid=moreheadlines
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 Comments »

Michael Welch: I Goofed!... wrote on Nov 16, 2007 12:50 PM:

" Okay we're 'on the same page' after all JG -- I misunderstood: sorry!... "

Michael Welch: You 'N' Me Jim You 'N' Me!... wrote on Nov 16, 2007 11:34 AM:

" And gee Jimmy I was the ONLY one to appreciate Ira Levin -- other than you. I ain't such a bad guy!... "

Michael Welch: Oh Those BAD "Boys"!... wrote on Nov 14, 2007 10:53 AM:

" 'The Boys From Brazil' is a rather bizarre presentation of the 'mad scientist' extraordinaire, (none other than Josef Mengele played by Gregory Peck turned 'demented'), having cloned Hitler in some dozens of appropriately creepy young lads, then sets out to uh 'Freudianize' (sorry Adolf!) them so to speak into the proper life experience to make them power-hungry but charismatic monsters. Laurence Olivier shows up as a very Yiddishe Simon Wiesenthal, the 'nazi hunter,' who discovers the fiendish plot. James Mason puts in an appearance as a semi-fey former SS commander in soft deerskin boots. Have a taste for the weird 'what if'? This is your movie!... "


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