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Non-fiction books that turn out to be phony are nothing new, but the rate at which they’re being discovered these days is surely on the rise. So too are the number of media articles that have been fabrications, including some on the pages of heralded newspapers and magazines like The New York Times, The Washington Post and The New Republic.
Just in the past few months, a handful of critically acclaimed books, including a detailed Holocaust memoir first published in 1997, have been reported to be complete fabrications, their respective authors reluctantly admitting so after their charades were finally unearthed.
What is causing more writers than ever before to conclude that it’s acceptable to compose and foist a whopping, big lie onto the public? And why do they think the air is now such that they’ll be able to get away with it?
It’s not just the authors; they have enablers. A recent, highly lauded memoir written by someone called Margaret B. Jones, whose account of growing up in foster homes and street gangs in Los Angeles turned out to be a total fabrication, was worked on for three years by a major publisher. Three years! Why didn’t any of these professionals ever bother to vet the material?
So readers, why is this disturbing trend growing?
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Sorry wrote on Mar 14, 2008 9:04 AM: